Part 2: Light and Portable Painting Setups

By PAH Member Jack Kinkelaar

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I took note of a photo that Roger Tinius posted on Facebook that showed his plein air set up. He is using a number of products. He has a tripod for the base, a Heilman box with a Heilman aluminum easel connected to his tripod (you can’t see the Heilman box in this photo but you can see the metal easel which is holding his painting). On top of the Heilman box is a Dakota Blue Pastels box. Look how nice and clean his pastels are. Using this type of box cleans your pastels when you put them back into the grey foam. But Roger writes that he has tongs to pull them out of the foam so that they don’t break. That comment is enough to keep me away from this box. The Dakota box does not have the plate on the bottom so that you can connect it to a tripod. Dakota sells a wooden tripod that can hold this box. And the wooden tripod is also the easel. Go to Dakota and look it up and see if this could work for you. The Blue pastels box and a wooden easel. I think if this system falls over, most of your pastels will stay in their foam hot dog buns, or foam sushi wrappers, or foam telephone switchboard box.

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Lets talk about tripods. I took a workshop with Richard McKinley a few years back. He was using a Manfrotto quick release carbon fiber tripod with a Heilman box and Heilman aluminum easel. I looked at these Manfrotto tripods but decided they were too expensive for my budget. Manfrotto has aluminum (less expensive but heavier) tripods. The point of buying the carbon fiber tripod is to keep the weight down. So I went to Amazon and bought carbon fiber tripod that was not Manfrotto. I’ve had it for 1.5 years. I use it every week and it is holding up nicely. I have to admit when I first brought it to my plein air group, I was warned to be careful about putting the legs in beach sand. The sand can get into the tubes (legs) of the tripod and mess it up. Some artists put plastic bags around the three bases of the tripod. I never did that, I just clean the sand off the bases before I fold it up. As I told you last month the idea is to keep the amount of weight down so that you can carry all of your gear at once. So I carry two things to a painting site, a bag/backback with Heilman box and a few sundry items and my tripod in its carrying case. I’m using a bag these days but when I find the right backpack I’ll make the switch. My bag holds a board with paper that goes on my easel, a sketch book with pencils, drinking water, a couple of brushes, some sheets of paper towels, masking tape,  sunglasses in a case, 90% alcohol in a small bottle and a small container for using the alcohol when I’m working on my underpainting and carrot sticks for snacking. The heaviest thing is the heilman box with the pastels inside. My Heilman aluminum easel fits in the carrying case for the tripod. If there is a camera store on your island, you could go in and ask about tripods and check them out. Don't waste your time in Best Buy. When I was looking they had three tripods in stock and no one there who knew anything about them. In a camera store, they can show you the differences in weight and how the the quick-release apparatus works. If you have a pastel box with the screw hole adapter on the bottom, bring it filled with pastels to see how it feels on the various tripods. My tripod can hold up to 30 lbs.

The best thing you can do on all this equipment stuff is to talk with someone who has it. They can tell you the pluses and minuses about their choice.

Last month I posted a pic of Christine Ahia’s set up. In talking with her, she says that she wishes it was taller. I looked the easel up, it comes from Jerry’s Artarama. Its called a Feather Pro 190. Today it was listed for $39.99. Notice in the picture below that the artist is sitting and she is pretty low. You might want to listen to Christine on this. She likes it but it doesn’t go high enough.

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Here is the Dakota Tripod mini field easel. It costs $105. the pastel box is separate. I think Ann Peters has this easel. Seems like it works for her. But I suggest you ask her to see what she thinks about it.

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Dakota.jpg

Well folks, I’m not trying to confuse you by putting too much information in this article. Just be aware that it is now February and November (and our workshop) is coming. Below is a screen shot of the tripod that I got from Amazon. I like it. I know there is probably a better one out there but I sticking with this for now. I will continue this discussion next month. My last bit of advice is that Helen Iaea has been around most of these products. You can always talk to her and get her opinion. Also, I’m not really endorsing any products.

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Part 1: Light and Portable Painting Setups

By PAH Member Jack Kinkelaar

I did a lot of soul searching after our last pastel workshop with Mark Norseth. What is the basis of the reluctance of the participants to go out and do plein air painting at local Oahu beaches or scenic spots? I came to the conclusion that a lot of our participants do not have light portable painting setups. So I thought that over the next few newsletters, I would talk about plein air setups. This year’s Pastel Workshop with Liz Haywood Sullivan will probably be held at various places on Oahu. So if you have signed up for the workshop, now is the time to figure out your set up.

This is a picture of my plein air set up. I will be posting pictures of other set ups too.

This is a picture of my plein air set up. I will be posting pictures of other set ups too.

This is Christine Ahia's box and easel.

This is Christine Ahia's box and easel.

My current setup has three components. A camera tripod, a box for my pastels that screws onto the tripod and a small metal easel that attaches to the pastel box. My first tripod came from a thrift store on Oahu. It was heavy but it worked. I suspect you can find a tripod on Craig’s list or eBay. Two things about a tripod. 1. If you can afford a carbon fiber tripod it will be lighter that a metal one and more sturdy than a plastic one. 2. If you are buying one make sure you get one that is rated for a video camera with the capability of holding at least 15 pounds (your pastel box with pastels in it is heavy). Eventually I bought a carbon fiber tripod on Amazon. My pastel box is a Heilman. These boxes are not cheap but they are well made and they do the job. My easel is also a Heilman product. You do not need the largest pastel box for plein air. Smaller is better in terms of portability. If your tripod tips because of a wind gust or unruly children or clueless visitors, a smaller box is a lot easier to pick up and put back together. You can go to Dakota Pastels or Amazon and see a bunch of pastel boxes. Helen Iaea is a great resource. I noticed that Roger Tinius has a nice portable set up. Talk to these people and learn from them so that you don’t get stuck with something that you do not like. Christine Ahia has Heilman’s small box. She loves it. Notice how small it is. She has a very limited pallet but she works within this range. Remember back when Susan Kuznitsky had our workshop and she recommended having a shallow padded Tupperware (rubbermaid or whatever) container for extra pastels. Get creative and bring the colors that you love.

I will continue this conversation in next month’s newsletter. There is so much to write about when it comes to being comfortable with your portable plein air set up.

A Legacy That Endures

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By PAH Member Jack Kinkelaar

Happy New Year! I thought this was a great gravestone up in Naalehu’s cemetery. Buster was a Paniolo (Hawaiian cowboy) and behind his granite marker is a statue of a horse. Perfect. I come from the heritage of six foot under with polished granite gravestone markers. In the age of cremation and casting ashes into the sea, what part of our legacy will be left for future generations? Buster will be remembered 200 years from now as a paniolo. I’m hoping that our paintings will be our lasting legacy. This may be wishful thinking on my part. I have to admit I’ve bought framed paintings from goodwill specifically to paint over the canvas and to recycle the frame. Did I destroy a legacy? Painting over someone else’s paintings has been going on for ages as the radiologic studies of some of the old masters show. I guess only time will tell.

2017 Mark Norseth Workshop Highlights

Mark Norseth

Mark Norseth

Mark Norseth & Students

Mark Norseth & Students

Our annual pastel workshop with Mark Norseth was an interesting way of looking at the artist’s world. Mark’s artist view is one where slow deliberation in executing your thumbnails, composition and actual painting trumps (sorry) quick plein air painting. Mark spent three days in two hour intervals painting a picture. The quick sketch is just that. Keep coming back to your plein air painting site and really get to know your subject. 

Over the days we spent time doing exercises. Kind of fun, going through our pastels and finding different pastel sticks with the same value. Look at Mark’s painting and see how many different colors he used in the foliage using the same value. Exercises are good learning tools. But the real deal is using that info in your paintings to make them more interesting. We also worked with touch in the sense of pressure used with pastel sticks. Mark stressed the importance of drawing and having a sketchbook on hand at all times. He brought a few copies of drawings by Rembrandt. Just good to see how a master used line and composition in simple landscape drawings.

This is the painting that Mark did over three days of the workshop:

©Mark Norseth

©Mark Norseth

Multipoint Professional Deluxe Pastel Pencil Sharpener

This product is for those who have tried sharpening their color or pastel pencils with a conventional pencil sharpener only to have them break over and over again. Or who have tediously shaved off the sides of their pastel pencils until they are almost perfect … then … darn!

This pencil sharpener is worth every shaving! The sharpener sports teeth that grips the pencil and a pulls it slowly into the shaving mechanism, five tip settings that determine the sharpness of the point and three settings that help stabelize different thicknesses of pencil (8mm – 12mm in diameter). Although it comes with a table clamp, its automatic pencil feeder makes operating it easy without needing to clamp it down to a table. The sharpener stops feeding and there is a noticeable lack of shaving noise when the desired point is achieved.

Like the other pencil sharpeners, this one will also tend to “gum up” once in awhile. When this happens, it is an easy matter to open it up and clean out the “lead” from its spiral shaver.

Online and catalog art supply stores such as ASWExpress.com and CheapJoes carry this item.